Escrita e Aplicação
03/03/2024
Descrição:
Esse workshop discute o método do caso de ensino como instrumento pedagógico de ensino centrado no participante.
Serão discutidos os principais temas apresentados no Global Colloquium on Participant-Centered Learning e Case Writing Workshop (Harvard Business School, 2023-24).
O encontro focará 1) nas vantagens e benefícios do uso do caso de ensino em sala de aula e 2) em possíveis estratégias de introdução de casos de ensino quantitativos em disciplinas de graduação.
Ao final da formação, espera-se que os(as) participantes(as) consigam 1) elaborar planos de ensino para uso de casos quantitativos, e 2) compreender as principais etapas e planejar a escrita de um caso de ensino.
Two parts:
Global Colloquium on Participant-Centered Learning
Case writing workshop
Case study is the main theme of the course, but not the only theme.
A case study is not something that should have an answer …
… rather, it is a story, it is like a corporate myth (my analogy).
It is a story of how to make decisions.
This is not a prescriptive framework.
This serves as guidance that you may need to tailor to fit your course and students’ profiles
In the next few slides, I’ll discuss some concepts or ‘best practices’ for writing and teaching a case
Remember that HBS does not have undergrad courses. Cases are originally targeted to MBAs and Executive Education.
The ideal situation is to write the case for a specific course
The case is always about one person having to make a decision, a protagonist.
My take I : This is at the core of the Participant-Centered Learning concept. Descriptive cases are nice, but descriptions are not the main thing in the case method. Again, a case is about a decision.
My take II: Additionally, it helps justifying “old cases”. Stories are context-specific, but decisions are ‘atemporal’.
The main decision is usually (but not always) stated as a question in the last paragraph of the main text.
Example: The HR implications of a startup’s investment project.
My take: the secondary decisions are usually a “surprise” for the students. The students may remember and learn more from the secondary decisions than from the main decision.
The sessions always start with a yes/no, advantages/disadvantages, pros/cons type of question.
The sessions always start with a yes/no, advantages/disadvantages, pros/cons type of question.
My take: the hardest part is to have an audience that knows this structure. Students should read before the class, not usual in Br.
Often, the decision-maker is:
The goal here is to have students put themselves in the protagonist’s shoes.
While a good case is always a good story, the reverse is not necessarily true.
If possible, you can explore many forms of media.
The problem of the protagonist should have alternatives. They must both be potentially based on theory.
The case has 2 to 4 pastures.
… but they conduct quite clearly the movement between pastures.
You need to plan time, but, more importantly, you need to plan the transitions.
The pastures should be trivial to the instructor in the main text (at least in the teaching notes).
My take: As a instructor (that knows the theory and sometimes how things are done in “real life”), it is hard to stay too long in a pasture. It seems a waste of time.
A case needs clear learning objectives
A pasture has 1 or more takeaways.
My take: That is why, after you learn the story, we should always start with the learning objectives, only then we write the case.
The sequence of events must be clear to students.
There is a natural tradeoff here: details vs. brevity.
How to develop a case?
1) Idea (or opportunity)
2) Learning objectives & Teaching Plan
3) Protagonist interview (often only one, but it is possible to have more than one)
4) Teaching case & Teaching notes & Teaching itself
5) Improve Teaching case and Teaching notes
Undergraduate courses:
Students may say, ‘I am frustrated because the case has no solution.’
They don’t want concepts, they want solved problems.
What happens is the “correct” answer.
Audience Heterogeneity (in grad. courses)
The framework:
Define the protagonist
Define the learning objectives
Define the teaching plan
Define the teaching plan
One idea of Teaching Plan:
Notice that this Teaching Plan does not invite “expert” knowledge. Students would have to know the basics of financial accounting (I am assuming this is a finance accounting course).
Define the takeaways of each pasture
Some ideas:
QUESTIONS?
Henrique C. Martins
[Henrique C. Martins] [henrique.martins@fgv.br] [Teaching Resources] [Do not use without permission]